Just in time for summer – or so it seems – we’ve opened our latest Discover Original Art exhibition in Datchworth, Hertfordshire.
I’m still pinching myself, I’m so thrilled to be hanging out with the rest of these brilliant artists.
We’re at the Mardleybury Gallery until 28th June, open Wednesdays to Sundays – and most of us will be demonstrating or explaining our techniques on Thursdays and Sundays over June, so please come along if you’re in the area.
Only 48 hours away now from the opening of our latest Discover Original Art exhibition, at Mardleybury Gallery, Datchworth, Hertfordshire. Excitement is now taking over from panic – although it’s perfectly possible that panic may set in again before we finally open to the public! Only joking, I’m sure everything is under control…
There will be a Private Viewing on Friday evening, 5th June, and we’d be delighted to welcome any of our friends and followers to come along then and say hello. If the weather is good, we’ll be enjoying wine and nibbles in the gallery’s bijou garden – do pop in if you can.
Throughout June, the artists will be holding demonstration sessions, where visitors will be able to see for themselves how some of our artwork is made – there are techniques here that will amaze you, I’m certain – details of times and dates below.
Now, my version of slow art isn’t the most technically challenging of the group, but I’ll be at the gallery on June 21st, stitching, and talking to visitors about the process and the benefits of engaging in this extremely tactile process. I hope to see some of you then.
Well, time to go off and check that I’ve got everything ready (for the umpteenth time) – I’ll leave you for now with a picture of my stitching buddy – managing very well indeed not to get himself over excited…
So thrilled this morning to highlight the work of local artist and participant in the forthcoming Discover Original Art Fair, Sarah Russell.
Sarah describes her inspirations…
I am interested in creating a place where I would want to be. I aim to portray an emotional response to landscape…and my journey to the studio and the weather is usually reflected in my days work.
I am currently using monotype and monoprint (a combination of permanent marks on my plate and instinctive colour added for one print only). My decisions which prints to keep and which to destroy are crucial to my work as an artist.
The marks and layers can appear random but sometimes it takes many attempts to achieve the effect I am after. Layering is important to me, I want to be able to return to the work again and again and still find something new.